28 November 2016 – 17.00 The Cinema Museum
Elephant & Castle

South Social meets Africa. An enchanting film, Mali Blues by Lutz Gregor, about the roots of the blues in Africa. The protagonist is Fatoumata Diawara, the beautiful Malian singer/musician that will illustrates Mali’s rich musical culture. We travel through breath-taking landscapes and discover Mali’s agitated heart from Bamako in the Southwest to the “Festival au Désert“ in northern Timbuktu.


20 October 2016- 19.00
The Cinema Museum
Elephant & Castle

Get into subversive mood and out of control behaviour with this 6 screaming tales of ordinary Argentinean madness. Almodovar produced Wild Tales and the affinity is evident. It’s there in the off-kilter humour, in the stylish visuals and bold use of music, and in the affection for ordinary people pushed to extraordinary extremes. But Szifron’s voice is nonetheless very much his own, a mischievously blunt response to a culture of inescapable corruption, economic and social inequality and injustice. Wild Tales opens and closes with a bang, and at its best is a riotously funny and cathartic exorcism of the frustrations of contemporary life. 


Damián Szifron Damián Szifron, born in 1975 in Argentina, is a film and television director and screenwriter, best known as the creator of the TV series Los Simuladores (2002), and writer-director of Wild Tales, the most successful film in the history of Argentina. Born to a Jewish family, he gets his black humour from that side of the family. His next film is a multimillion Hollywood picture, The Six Billion Dollar Man, starring Mark Wahlberg..


18 September 2016 – 18.00 The Cinema Museum
Elephant & Castle

The 5 Virgins in Anatolia is a sweet, sad Turkish delight. The adolescent sisters have their basic freedoms unjustly stripped from them in director Deniz Gamze Erguven’s understated feminist drama. The word Mustang means bands of wild horses roaming the untamed American West, their manes flying and their defiant spirits resistant to being broken. Those qualities also fit the five young sisters in this intimate drama, whose independence and burgeoning sexuality urge their alarmed guardians to kidnap the girls in a systematic campaign to break their unity and tame them into traditional female roles. An absolute must to understand Middle-Eastern vs Western culture.


Deniz Gamze Erguven The director, born in Ankara in 1978, has moved to France in the 80s and studied cinema at La FEMIS. Mustang, the portrait of the 5 young sisters, is her first feature film and won international acclaim at the Cannes film festival. Even if the film is set in Turkey and played by Turkish actors, was produced by France which makes it quite a diverse cultural clash. Erguven was pregnant at the time of shooting and gave birth to her son during the film. .

THE LUNCHBOX by Ritesh Batra

3 JULY 2016 – 18.00 The Cinema Museum- Kennington

A lunchtime mix-up leads to a romance by correspondence. Food and letters between a nearly retired number cruncher and a neglected wife that hits all the right tastebuds. The film set in Mumbai, revolves around a mistaken delivery by the Dabbawalas (lunchbox service), which leads to a liaison between a widower, Saajan, who’s about to retire and an unhappy housewife, Ila, as they start exchanging notes through the daily lunchbox. The director received more than 30 international awards!


Ritesh Batra Batra had a lucky start in his career with The Lunchbox, credited as the  highest grossing foreign film in America, Europe and Australia. Most endearing is the delicacy with which writer-director Ritesh Batra reveals the hopes, sorrows, regrets and fears of everyday people without any sign of condescension or narrative trickery. Ritesh portrays a very Indian tale in its delicacy and humor — especially in the way it sweeps its characters up in a vast social grid that includes over-crowded trains and traffic jams, industrious workers and complicated marriages. Latest film to be released is The sense of an ending with Jim Broadbent.

27 May 2016- 19.00
Dulwich Constitutional Club

An utterly entertaining and outrageous view of the city of Tehran as seen by a taxi driver and his passengers. Men and women, young and old, rich and poor, traditionalists and modernists, pirated video vendors, and advocates of human rights, in the passenger seat of the inexperienced driver, who’s actually the film director himself. Another touch of class from Panahi, a candid camera with a heart in the middle of Tehran. The film has been described as a love letter to cinema, filled with love for his art, his community, his country and his audience.


Jafar Panahi One of the most influential filmmakers in Iran. He’s been in prison many times for his beliefs and especially for his filmmaking. In 2011 while awaiting the result of an appeal, he made a documentary feature in the form of a video diary, This is not a film. It was smuggled out of Iran in a flash drive hidden inside a cake and shown at the Cannes Film Festival. His cinema has a neorealism quality, as Panahi says “humanitarian events interpreted in a poetic and artistic way”.

CAMPO GRANDE by Sandra Kogut

14 APRIL 2016 6.30pm Brixton East 1871- UK PREMIERE
Become intrigued and dazed by Brazil with the intense diversity and wide spread disparity of its borders. Throughout Campo Grande, Kogut reveals the many layers that make up Brazilian society. The film’s varied pacing reflects the internal worlds of its characters, as well as the multiple aspects of a city in transition, Rio de Janeiro.


When a little girl turns up on her doorstep, fifty-year-old Regina (Carla Ribas) is unsure what to do. Regina lives in Ipanema, one of Rio de Janeiro’s wealthier neighbourhoods, and the five-year-old Rayane (Rayane do Amaral) is clearly not from around here. She says her mother has told her to stay put until her return. Soon Rayane’s nine-year-old brother Ygor (Ygor Manoel) arrives too, and Regina wants to take the children directly to an orphanage, but she’s convinced by her teenage daughter to let them spend the night. The children are in awe of Regina’s enormous home, and as they huddle together to sleep, it becomes obvious that they have only each other to rely on. Regina decides to help them find their family — a plan that will bring her into contact with a world that she barely knew existed. Sandra Kogut Sandra Kogut is a Brazilian filmmaker (1965, Rio de Janeiro), whose works is a mix between documentary and narrative fiction. She first received international notice for her 1991 documentary Paralamas do Sucesso. Kogut has taught at renowned universities around the world and has worked for Brazilian and European broadcasters. Her debut feature film project was the multi award winning Mutum in 2007. She has emerged as one of the most distinctive cultural filmmakers at work today. Her films are by turns whimsical, lyrical, and finely ironic—lighthearted and playful, yet also momentous and serious.
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